The use of colors in RBTA’s projects is never an anecdote and there are no arbitrary nuances. All colors are the result of an artistically and urbanistically conceived design.

It is specifically in this chromatic conext that I was asked to make a colour chart based on the use of colour by RBTA throughout its history.

For the last two years I have been observing, gathering and creating a colour guide that aims to be a chromatic tool for the studio’s projects.

The Color Chart, composed of 100 colors and is divided into 21 color families, is an effort of chromatic synthesis to delimit and guide the colour prescriptions of the studio and has been developed as a framework of action for the color prescriptions of the materials involved in a project.